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A clip is shown with Pamelyn Ferdin and Ron Hayes talking about love from the story “A Time for Courage,” and finally clips from “A Joyous Sound,” with Lucy Baker mentioning all the wonderful things she would like to hear. Clayton adds, “just like your family and mine, our children change before our eyes. Little girls become women, little boys grow into men. And so the time came when another little boy needed the companionship and love of Lassie,” and the narration segues into the scene of Jeff telling Lassie to stay with Timmy, melding into the opening credits of the Timmy episodes. 1957 episodes “The Burro” and “The Crow.” The third, about a careless hunter who almost shoots Timmy and his friends, is unfamiliar as an episode. 1964 three-part Corey Stuart story (in the only year the ranger episodes were done in black and white). But instead of sepia or black and white cards on a wooden holder, the new version consisted of 7 pairs of color slides in a circular mount which fitted a plastic viewer with a pull-down handle which advanced the disk to its next position. Three ViewMaster packets were devoted to Lassie between 1957 and 1967, two of them notable in that you were seeing color photos of Lassie and her companions back when the series was still done in black and white.
Next follows clips from the Corey Stuart episodes, including “Ride the Mountain” (the flume boat scene), “Rim of Disaster” (the sequence where the airplane “hooks” Lassie), “Lassie’s Time of Peril” (Lassie jumping in the river despite Corey telling her to stay back), finally ending with “Lassie the Voyager.” Part of the “Lassie the Voyager” ballad is played as we watch how Lassie was lost in the hurricane, and we see her finally, wearily trot into New Orleans, to be reunited with Corey at the wishing well. This dissolves to a short commentary by Jon Provost, who, at that time, was doing graduate work at college, and then back to Bonita Granville Wrather talking about the momentous decision to cast an adult as Lassie’s co-star. In 1956, however, Dell decided to make Lassie’s comic adventures concurrent with her televison ones, and she abruptly developed a debilitating, life-threatening allergy to a certain grass found only in the Matto Grosso. She says she was teased by classmates, but she found the concept of the character fascinating.